文化有根 創意是伴 Bridging Creativity
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許多人形容魏德圣是傻子,是不對的;他其實是瘋子;奇怪的是,怎麼那麼多的人跟着他一起發瘋?在投資馬幣一百萬,能從票房得回十萬,就不算是失敗的年頭,電影人和臺灣觀眾都落入一個集體的迷咒:在沒有人再為本土電影興奮的時刻,電影人的能耐就是看誰能最少的錢去拍電影;他掉回頭來問,臺灣電影人為何不能砸最大可能的投資,拍一部可以撼動本土與外國的觀眾的臺灣電影?
許多國家每年都砸下數不完的錢,”推動本土文化“、”促進旅游“、”宣揚軟實力“......,錢是花掉了,效果在那里?
盡管魏德圣以及和他一道發瘋的臺灣人,砸下單單從臺灣戲院票房本身無法賺回的錢,拍出了這一部臺灣電影的第一部歷史史詩,長遠久一點來說,這盤生意還是會從海外票房賺回看得到的金錢。
更大的是,這部片子賺到了一時無法具體結算的“社會效益”:臺灣人對本土歷史的了解與珍惜;海外游客沖着霧社景點而來的熱潮;更重要的是,臺灣從此刻起,已經有了拍攝叫好又叫座的鉅片記錄,有什麼東西,給予年輕一代更好的信心、夢想制造契機?
愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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