文化有根 創意是伴 Bridging Creativity
If Recollecting Were Feting
作者簡介:艾米莉·狄更生EmilyDickinson(1830-1886),美國女詩人。出生於律師家庭。青少年時代生活單調而平靜,受正規宗教教育。從25歲起棄絕社交,女尼似的閉門不出,在孤獨中埋頭寫詩30年,留下詩稿1700余首;生前只發表過7首,其余的都是在她死後才出版,並被世人所知,名氣極大。狄更生的詩主要寫生活情趣,自然、生命、信仰、友誼、愛情。詩風凝練婉約、意向清新,描繪真切、精微,思想深沈、凝聚力強,極富獨創性。她被視為20世紀現代主義詩歌的先驅之一。
如果記住就是忘卻,
那我不願記住什麼。
如果忘卻就是記住,
那麼,我與忘卻已沒有距離。
如果思念是一種愉悅,
如果哀悼是一種歡樂,
那麼,手指該是多麼愉快,
因為今天它們已把這些收集!
作品賞析:這首詩的最大特色就是采用了似是而非的修辭法。乍一看,“如果記住就是忘卻”以及“如果忘卻就是記住”同時在一個詩節中出現,有點不知所雲。但如果我們將它放在愛情的主題之下,我們就能明白原來詩人在表達她矛盾重重的心理。再將這種心理與第二詩節聯系起來,詩人的主旨就明確了:她的愛情得到的只是“思念”和“哀悼”!這種似是而非的修辭法的運用,逼真地寫出了詩人的心境,使得詩歌形神合一。
愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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