文化有根 創意是伴 Bridging Creativity
在外灘看見一個警察打人,沒有緣故,只是一時興起,挨打的是個十五六歲的穿得相當幹凈的孩子,棉襖棉褲,腰間系帶。警察用的鞭,沒看仔細,好像就是警棍頭上的繩圈。“嗚!”抽下去,一下又一下,把孩子逼在墻根。孩子很可以跑而不跑,仰頭望著他,皺著臉,瞇著眼,就像鄉下人在田野的太陽裏睜不開眼睛的樣子,仿佛還帶著點笑。事情來得太突兀了,缺乏舞臺經驗的人往往來不及調整面部表情。
我向來很少有正義感。我不願意看見什麽,就有本事看不見。然而這一回,我忍不住屢屢回過頭去望,氣塞胸膛,打一下,就覺得我的心收縮一下。打完之後,警察朝這邊踱了過來,我惡狠狠盯住他看,恨不得眼睛裏飛出小刀子,很希望我能夠表達出充分的鄙夷與憤怒,對於一個麻風病患者的憎怖。然而他只覺得有人在註意他,得意洋洋緊了一緊腰間的皮帶。他是個長臉大嘴的北方人,生得不難看。
他走到公眾廁所的門前,順手揪過一個穿長袍而帶寒酸相的,並不立即動手打,只定睛看他,一手按著棍子。那人於張惶氣惱之中還想講笑話,問道:“阿是為仔我要登坑咾?”
大約因為我的思想沒受過訓練之故,這時候我並不想起階級革命,一氣之下,只想去做官,或是做主席夫人,可以走上前給那警察兩個耳刮子。
在民初李涵秋的小說裏,這時候就應當跳出一個仗義的西洋傳教師,或是保安局長的姨太太(女主角的手帕交,男主角的舊情人。)偶爾天真一下還不要緊,那樣有系統地天真下去,到底不大好。
愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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