文化有根 創意是伴 Bridging Creativity
Rancière提到,這由巴爾札克和普魯斯特所開啟的小說傳統,也正是往後使馬克思、佛洛依德、班雅明的「批判思想」得以成形的邏輯脈絡,這如同馬克思對商品拜物教的診斷一般所打開的「真實的幻影向度」(dimension fantasmagorique du vrai),這得以成為社會與人文科學批判典範或批判間距的幻影向度。
而事實上,這種藝術和非藝術、真實和想像、現在和未來間距離的不斷調整、測量或所謂的「共同在場」也正是使攝影以及電影成為某種得以探究、解謎或挖掘的「紀錄」(-graphe),某種繪製以及探勘某個時代、某個文明、某個社會、某個國家…的地形學(topography)的虛擬浮標,某種「藝術」的真正關鍵。如果對Rancière來說,電影影像所能蘊載的最大力量乃在於其「紀實/計時」(documentary)潛能的話,那麼,在法國藝術史學家達米許(Hubert Damisch)以及迪迪-于柏曼(Georges…
ContinueAdded by 字詞過度 on July 4, 2020 at 11:19pm — No Comments
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愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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