文化有根 創意是伴 Bridging Creativity
二十首情詩和一首絕望的歌(第15首)
你沈默不語我更喜愛,象你不在我眼前,
你遠遠傾聽我的動靜,我的聲音卻追不上你,
仿佛你的眼光已經離去,
仿佛一個甜吻把你嘴唇封閉。
一切一切,浸透我的心靈,
你從中浮現,跟我心心相印。
夢幻的蝴蝶,仿佛你就是這個字:憂傷,
仿佛你就是我的靈魂。
你沈默不語又遙遙在望,我更喜愛,
柔聲細語的蝴蝶,你像傾訴怨艾,
你遠遠傾聽我的動靜,我的聲音卻追不上你,
請讓我隨同你的沈默不言不語。
請讓我也懷著你那種沈默向你訴說衷情。
它像燈光一樣明亮,像戒指一般儉樸。
你仿佛夜晚一樣,沈靜又密布繁星。
你的沈默有如星星,遙遠而又沈靜。
你沈默不語我更喜愛,像你不在我眼前,
你遙遠而又痛苦,仿佛已經死別,
那你再說一句話,再露一次笑,我就滿足,
我很高興,高興這絕非永訣。
林一安 譯
Tags:
Albums: 人體彩繪藝術 Body Painting Arts
Comment
6.A Canvas in a Photograph
A two-dimensional image becomes something three-dimensional on the body and then, through photography, again, something two-dimensional. In the process, the living canvases "change the contextual interpretations of the original painted images in integral ways" [56] and so does the photograph. In addition to bodypainting, photography also offers a new experience of oneself, comparable to the mirror experience.
"It gives me the opportunity to see myself from an outside perspective without judgment, which often appears whilst looking into the mirror "(Lucy)
"I am in the photo, but somehow it's not myself. "(Alisa)
Due to the lack of similarity, it is easier to appreciate the pictures as works without immediately bringing one's person into play, to look at them detached from oneself. When looking at the process, there is an absolute dichotomy, as, on the one hand, the body is in focus, on the other hand, it is overcome in two ways: to become a "living canvas ", the model has to endure the process of getting painted – this can be emotionally and physically challenging. In addition, the model is transformed into something else. The painting "transforms the wearer into a (temporary) work of art "[57].
[56] E. K. Katic, “The Living Canvas: Bodies that Serve and Simulate art, “ The American Journal of Semiotics, vol. 25, no. 1/2, pp. 77-101,2009, 77.
Although this is sometimes the case with ordinary photoshoots as well, it is usually much more present in bodypainting due to the greater difference. This becomes particularly clear when the painted model represents something non-human or even abstract.
"It feels like I can be anything, literally anything. "(Leonie).
"When I look at the pictures, I can barely recognise my body, yet I feel a strong connection to the photograph, as important and vivid memories are linked to it. "(Laura) [57]
Bodypainting has become a second-level work of art through photography: the painting is an artwork already, and together with the photographic process, it becomes yet another kind of art also.
Almost all models confirm that they experience it as an uplifting feeling to perceive themselves as art. Photography manages to detach the painting from its context and make it durable.
Furthermore, the resulting picture hides a lot: photographs are taken in front of a background paper or in a set, maybe even lights are mounted - in most cases, however, the result shows something that does not fully correspond to the memory of the shoot. This is already the case because one cannot perceive oneself "in real life "from the outside, but it is reinforced by the fact that the photographic result is based on staging and is probably retouched.
This way, the model has the chance to merge into the painting and the resulting photograph and leave her body behind, to identify with something that at first glance has a lot to do with her body.
Still, at second glance, it makes the actual body secondary. She can enjoy the artwork without necessarily relating it to her body, but understanding it as teamwork between herself – her physical and psychological qualities – the painter, and the photograph: the body as canvas as picture as art.
The Body as Canvas as Picture: Body painting and Its Implications for The Model by Maja Tabea Jerrentrup, Ajeenkya DY Patil University of Pune, Pune, India & University of Trier, Trier, Germany. In: International Journal of Cultural and Art Studies (IJCAS) Vol. 04, No. 1, 2020 | 9 – 23
[57] M. DeMello, Inked. Tattoos and Body Art around the World. Volume 1: A-L. Santa Barbara, Denver and Oxford: ABC-CLIO, 2014, 63.
時間守護的一棵樹,
靜謐而脈動無窮。
蔓藤沿著身驅緩緩纏繞,
綠意似記憶漸行漸遠。
光線輕輕試探,
盼春天甦醒回来。
瞳孔裡的胚芽,
只是過早透露的秘密。
延續閱讀~~
大開眼界
Bodypaint Illusion by Johannes
在這幅畫面前,請暫且忘記你看見的是誰。因為這裡展示的不是人,而是「視覺本身」。色彩取代了身份,光影消解了個體。你所凝視的,是一場感官的風暴,一個超越名字與歷史的存在,短暫、炙熱,卻永恆地留在記憶裡。
Before this image, forget who you see. This is not a person but vision itself. Color replaces identity, and light erases the individual. What you face is a storm of sensation, a being beyond name or history—brief, intense, yet lasting forever in memory.
愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
Added by engelbert@angku张文杰 0 Comments 80 Promotions
Posted by 馬來西亞微電影實驗室 Micro Movie Lab on February 21, 2021 at 11:00pm 7 Comments 68 Promotions
Posted by 馬來西亞微電影實驗室 Micro Movie Lab on February 18, 2021 at 5:30pm 18 Comments 77 Promotions
Posted by Host Studio on May 14, 2017 at 4:30pm 11 Comments 54 Promotions
Posted by 用心涼Coooool on July 7, 2012 at 6:30pm 39 Comments 58 Promotions
Posted by 就是冷門 on August 24, 2013 at 10:00pm 84 Comments 85 Promotions
Posted by 罗刹蜃楼 on April 6, 2020 at 11:30pm 40 Comments 68 Promotions
Posted by 葉子正绿 on April 2, 2020 at 5:00pm 77 Comments 72 Promotions
Posted by Rajang 左岸 on August 26, 2013 at 8:30am 29 Comments 66 Promotions
Posted by 來自沙巴的沙邦 on November 4, 2015 at 7:30pm 3 Comments 81 Promotions
Posted by Dokusō-tekina aidea on January 5, 2016 at 9:00pm 35 Comments 78 Promotions
© 2025 Created by 馬來西亞微電影實驗室 Micro Movie Lab.
Powered by
You need to be a member of Iconada.tv 愛墾 網 to add comments!
Join Iconada.tv 愛墾 網