Traveling thousands of miles to Fujian,
just to see the Huian Beauties.

The Huian beauties are an unique group living along the coast of the Huidong Peninsula. Strictly speaking, they belong to the native Han Chinese ethnicity. Their traditional clothing has deeply influenced the surrounding towns and villages. According to locals, their ancestors migrated here from the Central Plains of China hundreds of years ago.
The unique attire of Huian beauties can be divided into two main styles: The style found outside Chongwu Town and Shanxia, and the style found in Xiaozuo and Jingfeng.

The difference lies in their conical bamboo hats; the former wears hats that are larger, heavier, and have slightly curved brims, while the latter wears hats that are finer, thinner, lighter, and smaller. Beauties of the latter style also wear headscarves, but theirs are adorned with small red flower buds.

Young and middle-aged ladies usually fold their twin braids across both sides of the top of their heads; once wrapped in the headscarf, it creates a distinct, angular look. They also carry yellow bamboo baskets in their hands. Additionally, one to three plastic combs are pinned to the front of their hair, and unmarried young beauties still keep their bangs.
The bamboo hats worn by Huian beauties are coated with yellow lacquer to protect against the sun and rain. Their floral headscarves are square-shaped—usually featuring a white background with small green or blue flowers, or a green or blue background with small white flowers.

Folded into a triangle and tied around the head, the headscarf protects them from wind, sand, and cold weather, while keeping their hairstyles intact. However, young people nowadays dress very fashionably. Attire with such unique characteristics will, unfortunately, one day become history.

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Comment by arcasamani人才系 2 hours ago

[ICONADA Research Team]Empowering Communities and Rural Chinese Independent Schools in Sabah Through Creative and Cultural Industries (CCI)-Based TVET Innovation

The educational and socioeconomic landscape of Sabah possesses its own unique dynamics. Unlike in Peninsular Malaysia, Chinese Independent High Schools (SMPC) in Sabah operate under a dual-stream system, which mandates students to sit for the Sijil Pelajaran Malaysia (SPM) alongside the Unified Examination Certificate (UEC).

This inclusive model successfully attracts non-Chinese communities, transforming Sabah's SMPCs into highly effective agents of cultural integration and national unity.

However, for SMPCs operating in rural and interior regions of Sabah—such as parts of the East Coast or the state's hinterlands—bridging the skill and economic gaps with the local community remains a primary challenge. As a solution, synergy between Technical and Vocational Education and Training (TVET) and the Cultural and Creative Industries (CCI) is now seen as a critical driver to strengthen rural community relations.

Why is TVET-CCI Innovation Relevant to Rural Sabah?

Sabah is incredibly rich in cultural heritage, traditional handicrafts, local herbs, and ecotourism potential. By introducing TVET modules rooted in the Cultural and Creative Industries (CCI), rural SMPCs can transcend their traditional role as purely academic institutions to serve as community skill incubator hubs.

This TVET-CCI innovation can be channelled through several key areas:

Digital Education & Creative Design: Training rural youths in product branding, e-commerce, and digital marketing to elevate local micro-entrepreneurs' products into global markets.

Heritage Technology & Modern Crafts: Blending traditional ethnic Sabahan craftsmanship or textiles (such as Pis embroidery or Rungus weaving) with modern design technologies to create high-value commercial goods.

Agritourism & Creative Hospitality: Utilizing fertile rural lands by training students and local youths in Community-Based Tourism (CBT) management and creative hospitality industries.

Bridging Communities and Expanding Employability

This initiative directly breaks down barriers between independent schools and rural societies, which are predominantly made up of diverse indigenous Bumiputera ethnic groups. When TVET-CCI projects are executed, school facilities can be utilized as workshop hubs where villagers and students learn side-by-side. This creates a win-win ecosystem: schools gain community backing, while the community gains access to practical skill training without needing to migrate to major cities.

Furthermore, the Sabah State Government's commitment to recognizing the UEC for state scholarships, combined with the increasing momentum of TVET training opportunities in China offered to Sabahan youths, opens new corridors for these school leavers. Rural students equipped with creative TVET skills have the opportunity to pursue advanced global training, eventually bringing that expertise back to develop their home districts.

Conclusion

Through a CCI-based TVET innovation approach, rural Chinese Independent High Schools in Sabah can prove that their role transcends ethnic and geographical boundaries. This effort not only elevates vocational education but also revitalizes the local economy in line with the "Sabah Maju Jaya" spirit. The close integration between schools, creative industries, and local communities will serve as the ultimate formula to drive sustainable rural socioeconomic transformation in Sabah.

Comment by arcasamani人才系 yesterday

[Golongan Penyelidikan ICONADA]Bagaimana Sepasang Kuku Mengubah Nasib Sebuah Komuniti?

Dari Pelarian Vietnam, Industri Manikur hingga Versi Lain Impian Amerika

Dalam sejarah, ada perubahan besar yang tidak bermula daripada ucapan presiden, undang-undang parlimen atau pelaburan syarikat multinasional. Sebaliknya, ia lahir daripada satu detik yang kelihatan kecil dan tidak penting.

Pada tahun 1975, kejatuhan Saigon menandakan berakhirnya Perang Vietnam. Ratusan ribu rakyat Vietnam terpaksa meninggalkan tanah air mereka dan menjadi pelarian. Mereka tiba di Amerika Syarikat dengan harta benda yang terhad serta masa depan yang tidak menentu, sambil berdepan pelbagai cabaran bahasa, budaya dan pekerjaan.

Dalam suasana sejarah seperti inilah, seorang pelakon Hollywood menyedari sesuatu yang kecil, tetapi pemerhatian itu akhirnya mengubah seluruh landskap industri manikur di Amerika.

Pelakon tersebut ialah Tippi Hedren, yang terkenal melalui filem klasik The Birds.

Pada ketika itu, Hedren bukan sahaja seorang bintang filem, malah turut terlibat dalam usaha bantuan kemanusiaan antarabangsa. Ketika melawat sebuah kem pelarian Vietnam sementara yang dikenali sebagai Hope Village berhampiran Sacramento, California, beliau mendapati ramai wanita Vietnam di situ sangat tertarik dengan kuku beliau yang dijaga rapi dan berkilat.

Kebanyakan orang mungkin menganggap perkara itu sekadar satu interaksi budaya yang biasa. Namun Hedren melihat sesuatu yang lebih mendalam. Beliau memahami bahawa apa yang paling diperlukan oleh para pelarian itu bukanlah simpati semata-mata, tetapi satu kemahiran yang boleh membantu mereka berdikari dalam masyarakat baharu.

Beliau sedar bahawa bagi mereka yang baru tiba di Amerika, mempunyai penguasaan bahasa Inggeris yang terhad serta tiada kelayakan profesional yang diiktiraf, laluan pekerjaan tradisional sering kali sukar ditembusi. Untuk mencapai kebebasan ekonomi, mereka memerlukan kemahiran yang praktikal, boleh dipelajari dengan cepat, dan mampu menjana pendapatan dalam masa yang singkat.

Lalu, tanpa menunggu proses birokrasi yang panjang, Hedren memilih untuk bertindak secara langsung.

Beliau menjemput jurumanikurnya sendiri, Dusty Coots, untuk datang ke kem pelarian setiap hujung minggu dan memberikan latihan intensif dalam penjagaan kuku moden serta teknik pembentukan kuku. Latihan tersebut bukan sekadar aktiviti sukarela biasa, tetapi dirancang sebagai laluan kerjaya yang sebenar.

Kemudian, beliau berjaya berunding dengan sebuah sekolah kecantikan tempatan untuk menerima kumpulan pertama seramai dua puluh wanita Vietnam sebagai pelajar rasmi. Kumpulan ini kemudiannya dikenali dalam industri sebagai “First 20” atau “Dua Puluh Perintis”.

Hedren bukan sahaja membayar yuran pengajian mereka, malah membantu menyediakan pengangkutan dan mengatur supaya peperiksaan pelesenan negeri diterjemahkan ke dalam bahasa Vietnam. Langkah ini membolehkan para pelatih memahami keperluan peraturan dengan lebih baik dan memperoleh lesen profesional secara sah.

Pada zahirnya, program ini hanyalah satu projek latihan vokasional berskala kecil. Namun dari sudut sejarah, ia menjadi titik permulaan kepada satu revolusi ekonomi dan budaya yang luar biasa.

Comment by arcasamani人才系 yesterday

Sebelum itu, perkhidmatan manikur di Amerika lazimnya dianggap sebagai kemewahan yang mahal dan hanya ditawarkan oleh salon kelas atasan. Apabila komuniti Vietnam mula memasuki industri ini, mereka membina rangkaian salon kecil yang dikendalikan secara bebas melalui kerja keras, kerjasama keluarga dan sokongan komuniti.

Berbanding restoran atau perniagaan runcit yang memerlukan modal besar, salon kuku memerlukan kos permulaan yang lebih rendah, kemahiran yang jelas dan pulangan yang lebih cepat. Bagi para pendatang baharu, ia merupakan laluan yang realistik untuk meningkatkan taraf hidup.

Apabila semakin ramai keluarga Vietnam menceburi bidang ini, harga perkhidmatan manikur juga menjadi lebih mampu milik. Apa yang dahulunya dianggap perkhidmatan eksklusif akhirnya menjadi sebahagian daripada gaya hidup harian masyarakat umum.

Dengan kata lain, para imigran Vietnam bukan sahaja mengubah kehidupan mereka sendiri melalui industri manikur, malah turut mengubah struktur pasaran secara keseluruhan. Mereka menjadikan penjagaan kuku yang dahulunya mewah sebagai perkhidmatan yang boleh diakses oleh orang ramai.

Fenomena ini menunjukkan satu kekuatan unik yang sering dimiliki oleh komuniti imigran. Mereka bukan sekadar menyesuaikan diri dengan sistem yang sedia ada, tetapi turut membentuk semula sistem tersebut melalui penyertaan mereka.

Hari ini, amat sukar untuk membincangkan industri manikur Amerika tanpa menyebut komuniti Vietnam. Di California, kira-kira 80 peratus jurumanikur berlesen adalah berketurunan Vietnam, manakala di seluruh Amerika Syarikat, jumlahnya melebihi separuh daripada keseluruhan tenaga kerja industri tersebut.

Ramai daripada mereka merupakan anak, cucu atau generasi penerus kepada kumpulan “Dua Puluh Perintis” yang memulakan perjalanan ini hampir setengah abad lalu.

Dari perspektif sosiologi, aspek yang paling penting dalam kisah ini bukanlah dominasi sesuatu etnik dalam sesebuah industri. Sebaliknya, ia memperlihatkan satu hakikat yang sering diabaikan: bantuan yang benar-benar berkesan bukanlah bantuan sekali beri, tetapi pembinaan keupayaan yang boleh menjana nilai secara berterusan.

Banyak program kebajikan bertujuan menyelesaikan masalah jangka pendek. Namun apa yang dilakukan oleh Hedren adalah memberikan kemahiran yang boleh diwarisi, dikembangkan dan digandakan. Beliau tidak sekadar memberi bantuan sementara; beliau memberikan alat untuk membina masa depan.

Lebih penting lagi, alat tersebut tidak berhenti pada generasi pertama.

Apabila seorang ibu menggunakan kemahiran manikur untuk menyara keluarga, anak-anaknya memperoleh peluang pendidikan yang lebih baik. Apabila anak-anak itu melanjutkan pelajaran dan menjadi doktor, jurutera, peguam atau usahawan, sebuah keluarga pelarian yang dahulunya rapuh berjaya melangkah ke kelas menengah.

Dengan itu, satu kursus manikur akhirnya berkembang menjadi projek pembangunan antara generasi yang berlangsung selama puluhan tahun.

Kisah ini juga mengingatkan kita bahawa pengaruh budaya tidak semestinya lahir daripada slogan politik yang besar. Kadangkala, seorang pelakon filem, sepasang kuku yang dijaga rapi, dan dua puluh wanita yang bertekad untuk memulakan hidup baharu sudah cukup untuk mengubah haluan kehidupan ratusan ribu manusia.

Dalam dunia yang sering menulis sejarah melalui negara, peperangan dan dasar kerajaan, kisah jurumanikur Vietnam-Amerika menawarkan sudut pandang yang berbeza. Ia menunjukkan bahawa arah sejarah sering kali tidak ditentukan oleh suara yang paling lantang, tetapi oleh mereka yang mampu melihat potensi dalam diri orang lain dan berani melabur untuk masa depan mereka.

Comment by arcasamani人才系 on May 27, 2026 at 3:50pm

ICONADA Research Team: CCI and Lecture Halls, Workshops, and Assembly Lines: A Cultural Critique of the "Three-in-One" Integration of Education, Training, and Employment in Anglophone Nations

In the global economy, fusing education, training, and employment is more than a labor market mechanism. It is a unique cultural landscape rooted in Anglophone pragmatism. Over decades, nations like Australia, the UK, Canada, and the US have built an ecosystem that blends the theoretical instruction of the lecture hall, the skill refinement of the workshop, and the professional practice of the assembly line.

  1. The Philosophical Roots: From Bacon to Competency

To understand why English-speaking countries seamlessly bind these functions, one must return to British empiricism and American pragmatism. Through this lens, knowledge is valued not for its abstract sublimity, but for its capacity to be translated into action.

Australia’s VET system and the UK’s National Vocational Qualifications (NVQ) are bureaucratic manifestations of this philosophy. By placing learning and working side-by-side, they dismantle the elitism of the intellectual class. Within a National Qualifications Framework (NQF), a welding torch and a lecture handout carry equal institutional dignity. This enables the "Earn and Learn" cultural phenomenon, blurring the absolute boundary between blue-collar and white-collar work. Young people establish their social coordinates through practical experience while avoiding crippling student debt.

  1. The Instrumental Trap and the AI Vulnerability

However, this aggressive market orientation has a dark side. When education is swallowed by vocational training, institutions risk downgrading into pre-production assembly lines for corporations.

With the rise of Advanced AI, this model faces an existential crisis. The "Three-in-One" system relies heavily on teaching specific, highly structured skills. Ironically, AI excels at automating precisely these predictable tasks. Technical proficiencies heavily emphasized in college training programs—such as routine software coding, basic graphic rendering, paralegal document drafting, and standardized financial bookkeeping—are highly vulnerable to automation. If a student's training merely mirrors a rigid corporate job description, their skills risk obsolescence by graduation. The system's tight alignment with the current market becomes its greatest vulnerability.

  1. Cultural & Creative Professions for Local Revival

To survive this automation wave, the "Three-in-One" model must pivot toward cultural and creative professions aimed at local revival. While AI can synthesize data, it cannot replicate human empathy, community heritage, or the tactile nuances of local craftsmanship.

By blending education, training, and employment to revitalize regional cultural ecosystems, institutions can foster non-automatable careers. Training programs centered on regional tourism curation, localized sustainable design, community-driven arts, and heritage conservation generate jobs that are fundamentally anchored in human connection and physical place. This shift transforms students from replaceable corporate cogs into vital agents of local economic and social resilience.

Conclusion: The Scale of Efficiency

The integration of education, training, and employment in the Anglophone world maximizes economic efficiency. Yet, in the era of automation, its obsession with immediate utility must change. Grounding this model in creative, community-centric fields offers a path forward, balancing vital survival skills with the irreplaceable, critical human soul.

愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.

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