文化有根 創意是伴 Bridging Creativity
一個人的聲音太薄,讓我們一起齊聚發聲!
一個人的力量太弱,讓我們一起齊聚協力!
(Photo Credit: Live Feelings by Anna J, www.100mm.it/)
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Albums: 旅遊·把故事說好的快意
Location: 倫敦設計博物館 London Design Museum
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雷蒙.格諾《風格練習 Exercices de style》39. 驚嘆 Exclamations
對了!是中午!搭公車的時間!人超多!人超多!人擠人耶!笑死人了!那個傢夥!長那個什麼樣!還有那個脖子!七十五公分長!至少喔!還有那條編繩!那條編繩!我剛才沒看到!編繩!這是最好笑的!這一點!編繩耶!繞著他的帽子!竟然是一條編繩耶!太好笑了!超級好笑!!啊看吧,他在抱怨了!編繩男!罵他身邊的乘客!噢他對他講那什麼鬼話!對那個乘客!那乘客疑似踩了他的腳!他們要互摑巴掌了!一定會!啊不會! 啊會啦!上啊!上啊!咬他啦!衝啦!揍他啦!哎喲!沒戲了!他氣消了!那傢夥!長脖子那個!編繩男!他衝去一個空位了!對!那傢夥!
呃!真的!不會吧!我沒看錯!是他沒錯!在那邊!在羅馬廣場上!聖拉劄車站前!走來走去的!和另一個男的一起!那個男的跟他說那啥!他應該加顆扣子!對!在他的風衣上加一顆扣子!在他的風衣上!!
藉叙事凝聚在地認同感
二次大戰後我們也可以觀察到,當個體失去故事時會產生混亂及迷失方向;而當民族失去故事時,整個文化便會遭受莫名的病。 (Ray & Anderson,2008: 329) 榮格派的分析師伍德曼 (Marion Woodman) 也這樣告訴我們: “沒有了故事,我們在個人的世界瓦解時,就無法回想起我們自己的身份” 見邱于芸著 《故事與故鄉~創意城鄉的十二個原型》 (臺灣遠流出版社,2012年12月,65頁)
每個孩子都想知道自己從哪來,每個文化也都有創始的故事來回答那些問題,給活在當中的人民道理和意義。見邱于芸著 《故事與故鄉~創意城鄉的十二個原型》 (臺灣遠流出版社,2012年12月,22頁)
在聆聽這些故事的過程中,我很驚喜地發現,其實每個國家也正像一個人一樣,故事後面都展現出某種人格 (原型) (Archetype) ,擁有自己的獨特性格;也從各式各樣的文化社會中抽離出人類心靈共同的基礎與精神動力。 (見邱于芸著 《故事與故鄉~創意城鄉的十二個原型》,臺灣遠流出版社,2012年12月,27頁) )
所有人都重要。我們每個人都可以做出重要的貢獻,但只有冒險特立獨行,才有可能成功。 (Carol Pearson, 2000,見邱于芸著 《故事與故鄉~創意城鄉的十二個原型》 (臺灣遠流出版社,2012年12月)
Hirota attracting youths back to rural regions through work life satisfaction. Hirota town is located in Iwate Prefecture, in Northeastern Japan. Instead of simply promoting the goodness the region has to offer, they are concentrating on providing work life satisfaction. Young professional disillusioned by city life are thus finding this town attractive.
Learning about building a sustainable town through card games.One of the latest trends to come out of Japan is promoting SDGs through card games. This particular game is about regional revitalization. A large number of players will take up various roles to build a town, learning about cooperation and ambitions at the same time. (https://zenbird.media)
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