文化有根 創意是伴 Bridging Creativity
電幕上樂聲中斷,有人說話。溫斯頓擡起頭來聽。不過不是前線來的公報,不過是富裕部的一則簡短公告。原來上一季度第十個三中計劃,鞋帶產量超額完成百分之九十八。 …
Blog 喬治·奧威爾《1984》(101) 3 Promotions 李佩甫《無邊無際的早晨》(12) Blog 李佩甫《無邊無際的早晨》(12) 4 Promotions 丁爾蘇·詩性邏輯(1)話語標記語是一種十分常見的話語現象,由於“詩性邏輯”在這裏指的是:產生隱喻的類象性思維。雖然本文的主題是隱喻,但我們最好還是從符號在日常生活中的不同運作方式談起。…
設計師和文化批評家都認為,迪士尼代表了休閑空間主題化和品牌化的極端例證。作為歐洲到美國迪士尼樂園的遊客,翁貝托·艾柯討論了樂園製造假現實的能力,假現實顯然符合我們的白日夢要求。…
其實, 新媒體平臺威脅的不僅僅是新聞, 更是倒逼所有的文化生產機製。影視娛樂節目的IP化和” 小鮮肉” 現象的實質就是影視生產平臺化的體現, 並逐漸形成為一個封閉和排他的系統。中國知名劇作家們對” 娛樂資本論” 批評道:” IP買手, IP產品、製作機構、播出平臺、數據平臺, 整個一趟線,…
Blog 呂新雨:新媒體時代的“未來考古” (8) 4 Promotions 沈宏菲《太史蛇宴》清洗菊花是女仆的工作。整枝菊花倒置在一大盆清水內,然後執著花柄,…
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我跟你說:
我的腦子轉得越來越快了,…
愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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