日本人的庭園建築,佛舍浮屠,又是一種精微簡潔,能在單純裏裝點出趣味來的妙藝。甚至家家戶戶的廁所旁邊,都能裝置出一方池水,幾樹楠天,洗滌得窗明宇潔,使你聞覺不到穢濁的薰蒸。
在日本習俗裏最有趣味的一種幽閑雅事,是叫作茶道的那一番禮節;各人長跪在一堂,制茶者用了精致的茶具,規定而熟練的動作,將末茶沖入碗內,順次遞下,各喝取三口又半,直到最後,恰好喝完。進退有節,出入如儀,融融泄泄,真令人會想起唐宋以前,太平盛世的民風。
還有“生花”的插置,在日本也是一種有派別師承的妙技;一隻瓦盆,或一個凈瓶之內,插上幾枝紅綠不等的花枝松幹,更加以些泥沙巖石的點綴,小小的一穿圍裏,可以使你看出無窮盡的多樣一致的配合來。所費不多,而能使滿室生春,這又是何等經濟而又美觀的家庭裝飾!
日本人的和服,穿在男人的身上,倒也並不十分雅觀;可是女性的長袖,以及腋下袖口露出來的七色的虹紋,與束腰帶的顏色來一輝映,卻又似萬花繚亂中的蝴蝶的化身了。《蝴蝶夫人》這一齣歌劇,能夠聳動歐洲人的視聽,一直到現在,也還不衰的原因,就在這裏。
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