文化有根 創意是伴 Bridging Creativity
退休的制度,我們古已有之。《禮記·曲禮》:“大夫七十而致事”,致事就是致仕,言致其所掌之事於君而告老,也就是我們如今所謂的退休。禮,應該遵守,不過也有人覺得未嘗不可不遵守。“禮豈為我輩設哉?”尤其是七十的人,隨心所欲不逾矩,好像是大可為所欲為。普通七十的人,多少總有些昏聵,不過也有不少得天獨厚的幸運兒,耄耋之年依然瞿鑠,猶能開會剪彩,必欲令其退休,未免有違篤念勛耆之至意。年輕的一輩,勸你們少安勿躁,棒子早晚會交出來,不要抱怨“我在,久壓公等”也。
該退休而不退休。這種風氣好像我們也是古已有之。白居易有一首詩《不致仕》:
七十而致仕,禮法有明文。
何乃貪榮者,斯言如不聞?
可憐八九十,齒墮雙眸昏。
朝露貪名利,夕陽憂子孫。
掛冠顧翠緌,懸車惜朱輪。
金章腰不勝,傴僂入君門。
誰不愛富貴?誰不戀君恩?
年高須告老,名遠合退身。
少時共嗤誚,晚歲多因循。
賢哉漠二疏,彼獨是何人?
寂寞東門路,無人繼去塵!
漢朝的疏廣及其兄子疏受位至太子太傅少傅,同時致仕,當時的“公卿大夫故人邑子,設祖道供張東都門外,送者車數百辆。辭決而去。道路觀者皆曰:‘賢哉二大夫!’或嘆息為之下泣。”這就是白居易所謂的“漢二疏”。乞骸骨居然造成這樣的轟動,可見這不是常見的事,常見的是“傴僂入君門”的“愛富貴”、“戀君恩”的人。白居易“無人繼去塵”之嘆,也說明了二疏的故事以後沒有重演過。
愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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