MalaysianCinema's Blog (26)

Developing Creative Economy, Bekraf Collaborates with Asian Philanthropy Network

Businesstoday.id, Jakarta - The Creative Economy Agency (Bekraf) collaborates with the Asian philanthropic network, the Asian Venture Philanthropy Network (AVPN), to develop the creative economy in Indonesia.

"Synergy with AVPN is expected to increase startup opportunities and creative economic players get additional capital while increasing their skills in the creative industry," Deputy Capital Access Bekraf Fadjar Hutomo Fadjar said after signing a memorandum of understanding of the…

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Added by MalaysianCinema on November 23, 2020 at 10:00pm — No Comments

Patrick Cooke·Can the creative industries of ASEAN make waves?

Strolling through Bonifacio Global City on a sunny Saturday, it is easy to spot the groups of smiley teenagers self-learning slick K-Pop dance moves in the shadows of gilded skyscrapers and leafy parks. 

This joyful scene in a privileged enclave of Metro Manila is replicated every weekend across the sprawling cities of South-east Asia, as teens continue to ride the seemingly unstoppable “Korean Wave”. Whereas US music stars once reigned supreme in the Philippines and the wider region,…

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Added by MalaysianCinema on November 23, 2020 at 9:51pm — No Comments

What is the creative economy?

From ‘creative industries’ to ‘creative economy’ – how the idea of creative industries and the creative economy has changed in the last 20 years



How the term ‘creative industries’ began

The term ‘creative industries’ began to be used about twenty years ago to describe a range of activities, some of which are amongst the oldest in history and some of…

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Added by MalaysianCinema on January 8, 2018 at 9:53pm — No Comments

Siti Suriawati Isa:The Creative Economy in Malaysia (8)

8. FINAL REMARKS ON THE DEVELOPMENT OF

MALAYSIA’S CREATIVE ECONOMY

The fundamental source of conflict in this new world will not be primarily ideological or

primarily economic. The great divisions among humankind and the dominating source

of conflict will be cultural. The clash of…

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Added by MalaysianCinema on March 13, 2016 at 9:39am — No Comments

SITI SURIAWATI ISA:THE CREATIVE ECONOMY IN MALAYSIA (7.3)

The “Halal” market and cultural assets

Currently, the Malaysian government is aggressively developing Malaysia as a “halal hub” for

the regional and global Muslim markets, which the Malaysian government began targeting

after launching of Halal Hub Corporation in 2008. With their tagline “Halal for all”, this…

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Added by MalaysianCinema on March 12, 2016 at 9:06am — No Comments

SITI SURIAWATI ISA:THE CREATIVE ECONOMY IN MALAYSIA (7.2)

Future Plans for the Organisation

PERZIM follows the ICOM mission, and is shifting their role to become a modern museum

corporation. They have implemented many changes and programs over the past decade, and

are among a number of museums in the region introducing different activities and programs…

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Added by MalaysianCinema on March 4, 2016 at 10:30pm — No Comments

Siti Suriawati Isa:The Creative Economy in Malaysia (7.1)

7. DISCUSSION OF CREATIVE ECONOMY

DEVELOPMENT IN MALAYSIA IN THE CONTEXT OF

TWO CASE STUDIES

Innovation creates jobs and boosts national competitiveness. This is why we, too, must

make a creative impact in a competitive global economy. We must not allow ourselves

to be left…

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Added by MalaysianCinema on March 3, 2016 at 10:50pm — No Comments

Siti Suriawati Isa:The Creative Economy in Malaysia (6.3)

Traditional to Engaging Phases

Phase I: Traditional

The formation of Malaysia started in Malacca in the thirteenth-century. The image of Malacca

as one of Malaysia’s historical cities lends a substantial advantage in terms of attracting

visitors to museums. The Malacca state government has played an active role in…

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Added by MalaysianCinema on February 27, 2016 at 9:38pm — No Comments

Siti Suriawati Isa:The Creative Economy in Malaysia (6.2)

Respondent Profiles

From the total of four respondents interviewed by this study, there is only one female staff

member. Three respondents worked with PERZIM for more than ten years except for one,

who worked there for less than a year. Two of the respondents were in their mid-thirties, one

of them in his…

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Added by MalaysianCinema on February 20, 2016 at 3:49pm — No Comments

Siti Suriawati Isa:The Creative Economy in Malaysia (6.1)

6. CASE STUDY TWO: MALACCA MUSEUM CORPORATION



With its government buildings, churches, squares and fortifications, Malacca demonstrates the early stages of this history originating in the 15th-century Malay sultanate and the Portuguese and Dutch periods beginning in the early 16th century.



The town…

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Added by MalaysianCinema on February 12, 2016 at 5:30pm — No Comments

SITI SURIAWATI ISA:THE CREATIVE ECONOMY IN MALAYSIA (3)

3. CREATIVE ECONOMY DEVELOPMENT IN MALAYSIA

3.1 The Malaysian Experience in Developing a Creative Economy

He is the One GOD: the Creator; the Initiator; the Designer. To Him belong the most beautiful names.

Glorifying Him is everything in the heavens and the earth. He is the Almighty, Most…

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Added by MalaysianCinema on February 10, 2016 at 11:17pm — No Comments

SITI SURIAWATI ISA:THE CREATIVE ECONOMY IN MALAYSIA (4)

Creative Tourism



The term creative tourism is an extension of cultural tourism. Richards and Raymond (2000)

are among the first authors to use this term, and argue that consumers are increasingly

looking for more engaging, interactive experiences that can help them in their personal

development…

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Added by MalaysianCinema on February 10, 2016 at 9:00am — No Comments

Siti Suriawati Isa:The Creative Economy in Malaysia (5.3)

5.4 RQ2: What is the development path for Malaysian creative economy enterprises?



Animation History in Malaysia



Animation started in Malaysia mainly for documentaries and public service filmlets by the

Malayan Film Unit. However, the significant impact of the first cartoon Malay magazine, Gilagila…

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Added by MalaysianCinema on February 8, 2016 at 6:45pm — No Comments

Siti Suriawati Isa:The Creative Economy in Malaysia (5.2)



Respondent Profile

Out of the nine respondents only one female staff was interviewed (refer to Table 5.3). Seven

of the respondents were younger than 25-years-old, and two were aged younger than 30. Five

respondents had worked more than two years with the company, and the rest worked with the

company for…

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Added by MalaysianCinema on January 31, 2016 at 12:00pm — No Comments

Siti Suriawati Isa:The Creative Economy in Malaysia (5.1)

5. CASE STUDY ONE: LES’COPAQUE PRODUCTION SDN. BHD.



We have something the West doesn’t. We have a range of cultures, of religions, the

way we see art is totally different. We can adapt to any kind of design.

(AunHoe 2010, 82)



5.1 Introduction



This chapter presents extensive data gathered in the case study on Les’copaque Production

Sdn. Bhd. The chapter begins with a comparison of the MSC capital city, Malaysia…

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Added by MalaysianCinema on January 31, 2016 at 12:00pm — No Comments

Siti Suriawati Isa:The Creative Economy in Malaysia (2)

THE LITERATURE ON CREATIVE SECTORS

1.1 Introduction to the Creative Economy

We are now embarking on a new quest to position Kuala Lumpur as one of the creative hubs of the world, to be parallel with the mega cities of London, Milan, Los Angeles, Tokyo and even our next-door neighbours Bangkok and Singapore. As we enter the creative economy spotlight, we…

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Added by MalaysianCinema on January 31, 2016 at 11:30am — No Comments

Siti Suriawati Isa:The Creative Economy in Malaysia (1)

1.1 Introduction to Creative Economy

The Multimedia Super Corridor is envisaged as the leading edge of a new national strategy for Malaysia to achieve the goals described in our country's vision 2020.

(Mahathir, 1996a)

This chapter outlines the key themes of this study, and introduces the research problem and…

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Added by MalaysianCinema on January 31, 2016 at 10:30am — No Comments

DASAR INDUSTRI KREATIF NEGARA (7)

Strategi 7:

Memperkukuh industri sokongan/ hiliran.

Strategi 8:

Pengurusan, pelaksanaan dan penguatkuasaan undang-undang, akta,

peraturan,…

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Added by MalaysianCinema on January 30, 2016 at 10:10am — No Comments

DASAR INDUSTRI KREATIF NEGARA (6)

Strategi 3: Memastikan produk jenama Malaysia diterima dalam pasaran tempatan dan mampu bersaing di pasaran serantau dan antarabangsa melalui promosi secara berterusan.…

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Added by MalaysianCinema on January 27, 2016 at 8:35pm — No Comments

DASAR INDUSTRI KREATIF NEGARA (5)

PERNYATAAN DASAR

Memperkasa industri kreatif negara secara menyeluruh berasaskan

kreativiti dan inovasi bagi menyumbang kepada ekonomi berpendapatan

tinggi melalui penghasilan produk berkualiti serta memartabatkan

warisan seni budaya.

Strategi…

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Added by MalaysianCinema on January 21, 2016 at 9:53am — No Comments

愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.

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