文化有根 創意是伴 Bridging Creativity
I was in a cab today and the cab driver said, "I love my job, I'm my own boss. Nobody tells me what to do.“ Then I said, "turn left".
Today I donated my watch, phone and RM500 to a poor guy. You don't know the happiness I felt as I saw him put his knife back in his pocket.
I miss times when I was working at the zoo. My boss fired me just because I left the lion's gate open. I mean who would steal a lion?
Added by MalaysianCinema on February 23, 2023 at 8:30pm — No Comments
Why can't women put on mascara with their mouth closed?
Why don't you ever see the headline 'Psychic Wins Lottery'?
Why is 'abbreviated' such a long word?
Why do supermarkets make the sick walk all the way to the back of the store to get to the Pharmacy for
their prescriptions while healthy people can buy cigarettes at the front?
Why the sun lightens our hair, but darkens our skin?
Why is it that doctors and attorneys call what they do…
ContinueAdded by MalaysianCinema on February 11, 2023 at 9:30am — No Comments
Businesstoday.id, Jakarta - The Creative Economy Agency (Bekraf) collaborates with the Asian philanthropic network, the Asian Venture Philanthropy Network (AVPN), to develop the creative economy in Indonesia.
"Synergy with AVPN is expected to increase startup opportunities and creative economic players get additional capital while increasing their skills in the creative industry," Deputy Capital Access Bekraf Fadjar Hutomo Fadjar said after signing a memorandum of understanding of the…
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Strolling through Bonifacio Global City on a sunny Saturday, it is easy to spot the groups of smiley teenagers self-learning slick K-Pop dance moves in the shadows of gilded skyscrapers and leafy parks.
This joyful scene in a privileged enclave of Metro Manila is replicated every weekend across the sprawling cities of South-east Asia, as teens continue to ride the seemingly unstoppable “Korean Wave”. Whereas US music stars once reigned supreme in the Philippines and the wider region,…
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From ‘creative industries’ to ‘creative economy’ – how the idea of creative industries and the creative economy has changed in the last 20 years
How the term ‘creative industries’ began
The term ‘creative industries’ began to be used about twenty years ago to describe a range of activities, some of which are amongst the oldest in history and some of…
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8. FINAL REMARKS ON THE DEVELOPMENT OF
MALAYSIA’S CREATIVE ECONOMY
The fundamental source of conflict in this new world will not be primarily ideological or
primarily economic. The great divisions among humankind and the dominating source
of conflict will be cultural. The clash of…
Added by MalaysianCinema on March 13, 2016 at 9:39am — No Comments
The “Halal” market and cultural assets
Currently, the Malaysian government is aggressively developing Malaysia as a “halal hub” for
the regional and global Muslim markets, which the Malaysian government began targeting
after launching of Halal Hub Corporation in 2008. With their tagline “Halal for all”, this…
Added by MalaysianCinema on March 12, 2016 at 9:06am — No Comments
Future Plans for the Organisation
PERZIM follows the ICOM mission, and is shifting their role to become a modern museum
corporation. They have implemented many changes and programs over the past decade, and
are among a number of museums in the region introducing different activities and programs…
Added by MalaysianCinema on March 4, 2016 at 10:30pm — No Comments
7. DISCUSSION OF CREATIVE ECONOMY
DEVELOPMENT IN MALAYSIA IN THE CONTEXT OF
TWO CASE STUDIES
Innovation creates jobs and boosts national competitiveness. This is why we, too, must
make a creative impact in a competitive global economy. We must not allow ourselves
to be left…
Added by MalaysianCinema on March 3, 2016 at 10:50pm — No Comments
Traditional to Engaging Phases
Phase I: Traditional
The formation of Malaysia started in Malacca in the thirteenth-century. The image of Malacca
as one of Malaysia’s historical cities lends a substantial advantage in terms of attracting
visitors to museums. The Malacca state government has played an active role in…
Added by MalaysianCinema on February 27, 2016 at 9:38pm — No Comments
Respondent Profiles
From the total of four respondents interviewed by this study, there is only one female staff
member. Three respondents worked with PERZIM for more than ten years except for one,
who worked there for less than a year. Two of the respondents were in their mid-thirties, one
of them in his…
Added by MalaysianCinema on February 20, 2016 at 3:49pm — No Comments
6. CASE STUDY TWO: MALACCA MUSEUM CORPORATION
With its government buildings, churches, squares and fortifications, Malacca demonstrates the early stages of this history originating in the 15th-century Malay sultanate and the Portuguese and Dutch periods beginning in the early 16th century.
The town…
Added by MalaysianCinema on February 12, 2016 at 5:30pm — No Comments
3. CREATIVE ECONOMY DEVELOPMENT IN MALAYSIA
3.1 The Malaysian Experience in Developing a Creative Economy
He is the One GOD: the Creator; the Initiator; the Designer. To Him belong the most beautiful names.
Glorifying Him is everything in the heavens and the earth. He is the Almighty, Most…
Added by MalaysianCinema on February 10, 2016 at 11:17pm — No Comments
Creative Tourism
The term creative tourism is an extension of cultural tourism. Richards and Raymond (2000)
are among the first authors to use this term, and argue that consumers are increasingly
looking for more engaging, interactive experiences that can help them in their personal
development…
Added by MalaysianCinema on February 10, 2016 at 9:00am — No Comments
5.4 RQ2: What is the development path for Malaysian creative economy enterprises?
Animation History in Malaysia
Animation started in Malaysia mainly for documentaries and public service filmlets by the
Malayan Film Unit. However, the significant impact of the first cartoon Malay magazine, Gilagila…
Added by MalaysianCinema on February 8, 2016 at 6:45pm — No Comments
Respondent Profile
Out of the nine respondents only one female staff was interviewed (refer to Table 5.3). Seven
of the respondents were younger than 25-years-old, and two were aged younger than 30. Five
respondents had worked more than two years with the company, and the rest worked with the
company for…
Added by MalaysianCinema on January 31, 2016 at 12:00pm — No Comments
5. CASE STUDY ONE: LES’COPAQUE PRODUCTION SDN. BHD.
We have something the West doesn’t. We have a range of cultures, of religions, the
way we see art is totally different. We can adapt to any kind of design.
(AunHoe 2010, 82)
5.1 Introduction
This chapter presents extensive data gathered in the case study on Les’copaque Production
Sdn. Bhd. The chapter begins with a comparison of the MSC capital city, Malaysia…
Added by MalaysianCinema on January 31, 2016 at 12:00pm — No Comments
THE LITERATURE ON CREATIVE SECTORS
1.1 Introduction to the Creative Economy
We are now embarking on a new quest to position Kuala Lumpur as one of the creative hubs of the world, to be parallel with the mega cities of London, Milan, Los Angeles, Tokyo and even our next-door neighbours Bangkok and Singapore. As we enter the creative economy spotlight, we…
ContinueAdded by MalaysianCinema on January 31, 2016 at 11:30am — No Comments
1.1 Introduction to Creative Economy
The Multimedia Super Corridor is envisaged as the leading edge of a new national strategy for Malaysia to achieve the goals described in our country's vision 2020.
(Mahathir, 1996a)
This chapter outlines the key themes of this study, and introduces the research problem and…
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Strategi 7:
Memperkukuh industri sokongan/ hiliran.
Strategi 8:
Pengurusan, pelaksanaan dan penguatkuasaan undang-undang, akta,
peraturan,…
Added by MalaysianCinema on January 30, 2016 at 10:10am — No Comments
愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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