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開篷樂勢力's Blog – September 2021 Archive (3)
賞析郭沫若《小品六章》
賞析這六章小品，體現了郭沫若早期文學創作風格的另一面。郭沫若《女神》中的詩篇絕大多數都是激情澎湃，恢弘雄偉，具有一種驚雷駭電般的壯美氣勢。而這些小品卻含蓄蘊藉，清新俊逸，具有一種江風霽月般的雋秀風韻。這種清新雋秀的風格是怎樣形成的呢?
首先看它的題材。六則小品都沒有涉及重大的歷史事件、尖銳的矛盾鬥爭，而是選取了一些細小的事物(薔薇、山茶等)、淡雅的風景畫(夕暮的景色、雨前的景象等)及精微的生活片斷(理髮、築墓)等，這種題材本身就是纖巧的、輕倩的，它是一些優美的“詩料”，經過作者的精心釀製，很自然地成了詩意蔥蘢的佳作。如《白髮》中寫了三年前在一家理髮店中年輕姑娘給他理髮時，發現他頭上一莖白髮，立刻給他拔去的情景。這對於一般人來說，很可能看作是不屑一談的小事。可是作者出於詩人的慧眼，覺察到這是別有意趣的“詩料”，對它作了匠心獨運的藝術處理。年輕姑娘象征了愛情;…
ContinueAdded by 開篷樂勢力 on September 5, 2021 at 10:35pm — No Comments
郭沫若《小品六章》の 山茶花
昨晚從山上回來，采了幾串茨實、幾簇秋楂、幾枝蓓蕾著的山茶。
我把它們投插在一個鐵壺裏面，掛在壁間。
鮮紅的楂子和嫩黃的茨實襯著濃碧的山茶葉——這是怎麽也不能描畫出的一種風味。
黑色的鐵壺更和苔衣深厚的巖骨一樣了。
今早剛從熟睡裏醒來時，小小的一室裏漾著一種清香的不知名的花氣。
這是從什麽地方吹來的呀?——…
ContinueAdded by 開篷樂勢力 on September 2, 2021 at 10:30pm — No Comments
郭沫若《小品六章》の 水墨畫
天空一片灰暗，沒有絲毫的日光。
海水的藍色濃得驚人，舐岸的微波吐出群魚喋噏的聲韻。
這是暴風雨欲來時的先兆。
海中的島嶼和烏木的雕刻一樣靜凝著了。
我攜著中食的飯匣向沙岸上走來，在一隻泊系著的漁舟裏面坐著。
一種淡白無味的淒涼的情趣——我把飯匣打開，又閉上了。
回頭望見松原裏的一座孤寂的火葬場。紅磚砌成的高聳的煙囪口上，冒出了一筆灰白色的飄忽的輕煙……
Added by 開篷樂勢力 on September 1, 2021 at 10:30pm — No Comments
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