文化有根 創意是伴 Bridging Creativity
用光影繪出一件美麗的華服,或薄如蟬翼,或柔如絲綢,具有特殊的美感。這是一組流動的,立體的藝術作品。給人帶來了一種強烈的視覺沖擊力,挑戰傳統的審美理念。
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李嘉華·從符號學二軸理論看張潮《幽夢影》的美人形象
此篇論文旨在以符號學二軸說探討清初文人張潮所著《幽夢影》一書中的美人形象,在理論基礎上採用索緒爾及後人對二軸說的理論與補充,並參考中外符號學研究者對於這些理論的評估,加上筆者的詮釋與延伸;在研究對象上則選擇清代張潮的清言作品《幽夢影》,試圖探究其書中美人形象的符號系統,在類同(similarity)與連結(contiguity)兩項原則的交互作用下,勾勒出書中敘述主體所言之美人形象之特點,並進一步觀察此一系統運用的文學效果與呈現風貌。
(Feature Photo:Chinese beauty by Brendon Xu)
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