文化有根 創意是伴 Bridging Creativity
以伊德的身體1和身體2為起點,並結合伊德的微觀知覺與宏觀知覺,她認為,科學中的文化知覺分為三個層次:第一,個體物理學家的具身化知覺,這是與身體操作相關的物質性人工物的知覺;第二,物質性人工物的具身知覺,這與共同體的交互相互作用相關;第三,作為文化具身性的具身知覺。赫斯認為,從後現象學觀點看,技術不僅使從前不可見的對象變為可見,而且對於特定的情境化身體來說,情境化知識也對人工物中不可見的情境化解釋學是開放的。通過研究物理學的情境化知識,赫斯認為,後現象學可以被作為一種科學家要研究開發中使用的新方法論,以及作為科學中的研究人員所認識到的一種觀點。(12)
美國的羅森伯格(Robert…
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愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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