文化有根 創意是伴 Bridging Creativity
我们要从故事的基本布局之中找出深层结构,开始可以按场景、剧中人物、情节、荣格的提示说明,情节展开、突变、缓解的角度一一细看。然後就可能照库格勒的样子,把故事拆开来,现出梦与故事之内都有的普世意象,并且证明有共同的原型根源在其中。(《夢:私我的神話》196頁)
(Photo Appreciation: Amor Fati by Jaime Ibarra)
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Albums: 夢:私我的神話〈Private Myths: Dreams & Dreaming〉
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石黑一雄·畫裏動物彆扭的大眼睛
只要有心情,他就繼續畫,只是當我出現時,就會停下工作,收起畫本。我沒有因此覺得受傷,其實,從很多方面來說,他這個決定讓我心裡輕鬆多了:我們在一起的時候,要是有那些動物睜大眼睛看著我們,只會讓我們覺得彆扭而已。(《別讓我走》第23章)
石黑一雄·海爾森關閉的含意
我和羅傑談話過後幾個月,不斷地想著這件事,想著海爾森的關閉,以及當中所有的含意。我突然領悟,過去一直以為將來還有很多時間可以抽空去做的事情,現在恐怕得要趕緊行動,不然就乾脆放棄算了。我並不是感到驚慌。只是覺得海爾森的消失改變了我們週遭的一切。(《别讓我走》第18章)
愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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