文化有根 創意是伴 Bridging Creativity
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(中華日報副刊 2012.06.29 刊登)
(Photo Affection: Alone Passenger by Hossein Zare, https://www.facebook.com/HosseinZarePhotography )
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雁評:《單》是一種詩的「文字遊戲」。
能將詩的「文字遊戲」玩得很輪轉愉快的詩人,實屈指可數;而甲木木是其中之一。
從每個人不同的角度去解讀《單》,必然是多采多姿。我個人的解讀如次:
「單」字加于成「單〔ㄔㄢˊ〕于」,是匈奴一方之霸。
「單于」做不成,則落了「單〔ㄉㄢ〕」便無縛雞之力。
人人害怕「落單」,所以出門要帶一把弓〔防身武器〕。
帶了弓成「彈」~可以是文的「彈〔ㄊㄢˊ〕」;也可以是武的「彈〔ㄉㄢˋ〕」。
孫子.謀攻第三:「..... 故上兵伐謀,其次伐交,其次伐兵,其下攻城。攻城之法為不得已。」
故上策是「彈性」外交溝通說服,不戰而屈人之兵。
下策是點上「藥」成「彈藥」,燃起戰火攻城掠地.....
於戲!「單」字運用之妙,端乎吾人智慧與經驗矣!
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