文化有根 創意是伴 Bridging Creativity
情節的敘述,隱蔽地補償受挫的欲望,這種觀點涉及敘事學與精神分析學——也只有這二者,所謂的社會歷史並未介入。一些理論家的確認為,只有“敘事的真相”而不存在“歷史的真相”。
“不可能講清楚一個敘事作品,是不是比另一個更真實,只能弄清是不是比另一個更好,也就是說,更加有效。”
很大程度上,這種效果僅僅發生在,心理分析醫生與患者之間。(21)
然而,作為著名的西方馬克思主義批評家,伊格爾頓不可能如此簡單。作家與讀者均置身於某種社會歷史,他們的敘事與閱讀必定與周邊的文化環境息息相關。這時,敘事與欲望始終相互調整,二者共同期待贏得社會歷史的認可。伊格爾頓找到的一個簡明例子是《簡-愛》。維多利亞時代的社會歷史設置的問題是,“允許簡實現自我,但必須限制在社會傳統規定的安全範圍內”。…
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愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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