文化有根 創意是伴 Bridging Creativity
如果我們對照雅各布森一前一後的兩篇文章《語言的兩個方面和失語症的兩種類型》(1956)和《結束語:語言學和詩學》(1958),還可以發現:他對隱喻和轉喻的看法是不同的,前者提出的「文學性」概念包括隱喻和轉喻,而後者則只把「文學性」與隱喻這一種類型相聯系,這意味著,雅各布森的這種「重隱喻輕轉喻」的「偏見」,是與其「文學性」的語言學界定密切相關的。…
Added by 罗刹蜃楼 on February 14, 2023 at 7:00pm — No Comments
四
雅各布森突破文學系統的限制,將隱喻和轉喻從修辭範疇引入到更廣闊的文化系統中,無疑具有開風氣先的重要示範作用,但他所強調的還是它們的形式意義,與歷史和社會的根本要求無關,而且他也並未解釋一個更根本的問題,即二者產生和運作的思維機制是什麽。
對此我認為,聯想是隱喻和轉喻核心的思維機制,共時性和歷時性的聯想路徑,分別構成了人類的隱喻思維(metaphorical thinking)和 轉 喻 思 維(metonymical thinking),一 般認…
ContinueAdded by 罗刹蜃楼 on February 1, 2023 at 12:00pm — No Comments
愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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