吉爾吉斯's Blog – May 2022 Archive (4)

Tourist Gaze 3.0 (6)

早在1985年,Feifer就提出post-tourism,而後旅遊有三個特點,第一,後旅遊不用「親身體驗」,因為發達的媒體網絡和豐富的意象;第二,不在乎什麽高雅文化,嚴肅目的,「the world is a stage and the post-tourist can delight in the multitude of games to be played.第三,p114 “most important, the post-tourist knows they are a tourist and tourism is a series of games with multiple texts…

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Added by 吉爾吉斯 on May 7, 2022 at 10:30pm — No Comments

Tourist Gaze 3.0 (5)

不管怎麽說,接著往下講。從現代到後現代,特別是文化上的轉變,背後的social force到底是什麽?Urry的觀點是工人階級的分化和中產階級的細化(數量壯大)(p102 the weakened collective powers of the working class and the heightened powers of the service and other middle classes have generated a widespread audience for new cultural forms and particularly for what some term…

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Added by 吉爾吉斯 on May 6, 2022 at 10:30pm — No Comments

Tourist Gaze 3.0 (2)

「旅遊」的社會意義一則體現在越來越龐大的人群,即從individual travelers to “mass society tourist”,從而圍繞旅遊業發展出來一套成熟完整的系統,或者說,這套系統也是現代社會有機部分。Urry為「大眾旅遊」的出現劃定的1840年特別有意思,在此之前,”travel was expected to play a key role in the cognitive and perceptual education of the male English upper class”.18世紀的英國,人們有一年一度休假,去做生意也去countryside度假,,但是19世紀以前,除了上層,很少有人(中下層)為了做生意或工作以外的原因出門。p6:…it is this which is the central characteristic of mass tourism in modern societies, namely that much of the population in…

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Added by 吉爾吉斯 on May 2, 2022 at 10:30pm — No Comments

Tourist Gaze 3.0 (1)

“Tourist Gaze”“Staged Authenticity”一樣,是旅遊社會學最著名的概念。同名書籍出版於1990年,2002年再版,2011年出版叫做Tourist Gaze 3.0。這個書名,就充分反映了John Urry的個性:學術和業界,誰也不落下,傳統與時尚,我志在兼得。想想Dean Mac…

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Added by 吉爾吉斯 on May 1, 2022 at 10:30pm — No Comments

愛墾網 是文化創意人的窩;自2009年7月以來,一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.

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