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水牆 繪's Blog – September 2018 Archive (1)
溫儒敏：莫言歷史敘事的“野史化”與“重口味”（下）
不過，莫言畢竟只是小說家，他大概並不想提供特別的“思想”或者“歷史觀”，他對歷史的“文學敘述”主要出於感覺，他時常放縱這種感覺，在人性與欲望的曠野里奔走，卻不能停下來做深入的思索與把握。莫言的敘史既酣暢又世故，卻未能給讀者類似宗教意味的那種悲憫與深思，而這正是中國文學普遍缺少的素質。如果結合閱讀感受來進一步思考，會發現莫言也有他的缺陷。也許我們會問，這位天才卻又有些任性的作家刻意回避對歷史的正面描述與規律的探尋，有意在“正史”模式之外嘗試“野史化”的文學寫作，是否無意間也迎合當下那些庸俗的虛無主義與相對主義？在當今“去革命化”和“去意識形態化”的氛圍中讀莫言，雖然痛快，卻也可能會引發某種無常與無奈之感。
再說說莫言“重口味”的風格。…
Added by 水牆 繪 on September 30, 2018 at 10:04am — No Comments
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愛墾網 是文化創意人的窩;自2009年7月以來，一直在挺文化創意人和他們的創作、珍藏。As home to the cultural creative community, iconada.tv supports creators since July, 2009.
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